Here is a podcast by the Bone Thugs guy, were he talks about how gangsta rap was created. I found it interesting, their youtube channel has a lot of conspiracy related stuff on it but from a black perspective, one I had never really considered before.

https://youtu.be/26ORPuH1-rU

Very Interesting for sure, and kind of scary... That is really the back-up to a sub-Reddit. r/Tartaria has 3,000 subscribers! I was #29

(I mod a little and search a lot...)

https://voat.co/v/Tartaria

Look at Laurel Canyon - think MIL IND COMPLEX

Then look at what Woodstock WAS and what it was packaged as...

"It wasn't all that it was cracked up to be..." - Pete Townshend

Have you seen any great Rock acts emerge since School of Rock was released in 2003? The stage show musical has a song titled "Where Did the Rock Go?"

I am afraid to say that we live in an administered culture which serves the powers that be, and they can switch musical subcultures, fashions and genres on and off like a tap. It is the same with Hollywood and the fashion industry. Indeed it was Ronald Lauder of Estée Lauder who convinced New York to privatise the World Trade Centre just before they destroyed it.

Kennedy was killed in November '63 - The Beatles arrived in New York a couple of months later in '64. Beatlemania was the first musical movement of a coup d'etat. Their switch to psychedelia and psychotropic drugs was all planned to destroy the anti-Vietnam war movement by association. Vietnam - a war that wasn't fought to be won, but kill or disable as many Americans as possible so they couldn't resist the coup d'etat.

That we live in a culture administered by the PTB is easy to see - what is not easy to see is that there were two sets of Beatles and the last time we see the real Beatles is just before the June solstice of '64 at Wellington airport, New Zealand. They were sacrificed and replaced by doppelgängers who had been appearing as them on stage, in a movie and on TV while they were still alive and one must assume with their knowledge.

Bob Dylan was also killed and replaced around the same time. The fake Bob introduced the fake Beatles to marijuana (so the story goes) and the administered counter-culture was born.

I could ramble on and on about doppelgänger replacements, but I'll just end it with what I learned the other day - on 9/11 the fake Paul McCartney witnessed the destruction of the Twin Towers while sitting in an aircraft on the tarmac of John F Kennedy airport - creating a giant venn diagram of conspiracy.

I need to stop listening to Jusic.

My theory is that the industry has manufactured, pushed, and eliminated competitors to the shit pop/edm and R&B because those forms can be easily manufactured/replicated and appeal to the most impressionable. Rock and blues are a the best forms of popular music but you have to have some authenticity and talent to be taken seriously.

Weird Scenes Inside the Canyon by Dave McGowan deals with this, mostly through the Laurel Canyon scene during the 1960's and 70's. Manufacturing the Deadhead is also a well written piece about the Grateful Dead being a front for the MKULTRA program.

The Hoax Busters podcast has done a few episodes about it, including the linked episode about the punk rock scene.

Many years ago, there was also an anonymous post about a meeting between music execs and private prison owners discussing the promotion of gangsta rap in order to fill prisons. I don't know if anyone ever verified that the meeting took place, but with what we know of social engineering, it seems plausible.

I highly recommend the Our Interesting Times podcast. It really is the best podcast on the Web, and Tim Kelly had the aforementioned Dave McGowan as his first guest. Jay Dyer also has some outstanding insights on the film side of things, if you're interested in that.

Miles Mathis is a rare genius. His physics stuff is incredible.

It makes sense. It is really apparent when you go back and watch old videos of music from before 1960. It is good, clean, and wholesome and...it actually has a melody.

I'd love to know too.