It's really very simple. The Jews who make the movies don't want to lose money. They don't really care what they churn out as long as it makes a profit. So they won't risk investing in anything that looks unusual, or weird, or too out of the box, or socially edgy. They pretend to be socially conscious, but really they are running after what they consider to be the mainstream, which in their twisted minds is far left. Sequels are relatively safe. They usually don't do boffo box office, but they usually earn a profit, and that is what the Jews care most about.

They also avoid anything pro-white, pro-Christian, pro-conservative, pro-family-values, or pro-nationalist. To make this kind of movie would get them ostracized from their little commie Jew Hollywood community, where their bread is buttered. It's all about money in the end. Hollywood writers are whores who do it for money. Anyone truly creative hardly stands a chance in Hollywood. There are rare exceptions, of course, but they remain rare exceptions.

Psychopaths aren't very creative because their frontal lobes don't work.

They are persistent plagiarists and often steal others ideas.

Until they are removed I don't expect anything original from them. But when they are replaced I believe we will see some truly great movies with a mountain of new ideas.